Thursday, July 7, 2011
And then there's this comprehensive "test" you take that supposedly determines the state of your senses a la a video recording that evokes images of those bizarre tests CRS gave Michael Douglas' character in The Game. Maybe this whole thing is something like The Game, like a super-elaborate test of the human mind and emotions. I haven't the slightest clue, really, but I was turned on to this whole thing while browsing a LOST fansite and saw something called "Mission Icefly" with Terry's face attached to it. If anyone has any novel info on this I would like to know, because whatever it is, the super-secret viral video campaign they have deployed is very effective in evoking a sense of mystery and intrigue. Funny, that's how J.J. Abrams likes to promote things.....
Friday, June 24, 2011
Friedman, in his book, breaks the nay-sayers down into "three basic varieties: those paid by fossil fuel companies to deny that global warming is a serious human-caused problem; those scientists, a small minority, who have looked at the data and concluded for different reasons that the rapid and extensive increase in greenhouse gas emissions since the Industrial Revolution is not a major threat to the planet's livability; and, finally, those conservatives who simply refuse to accept the reality of climate change because they hate the solution--more government regulation and intervention."
Friedman will explain in detail his ideas for a green America in the second half of his book, but at this point in my reading, I'm thinking that with such a vehemently polarized national government, it appears action upon climate change and a green revolution are almost impossible to reach right now. Not completely impossible, but almost. As I see it, it all comes down to lack of foresight. Us Americans, along with a good number of other nations, are much too preoccupied with the "instant fix." We plan for the short term, and we do that repeatedly. There is almost no long-term investment in our weaning ourselves off of foreign oil, and a dispiriting amount of effort is put into large-scale, affordable green technology. We are much too divided, and it's sad, because our children will look back on this as the time we could have saved the world, but instead, we badger each other over no singular, coherent reasoning (i.e. fundamental differences between Republican and Democrat rationale) but rather disagreement borne purely of dislike, distrust, and frustration.
So here's a message from a concerned teenager to the American government: Let's kick this oil addiction once and for all. Stop sending our money to an area of the world where it is used to fund terrorist groups we're fighting right now (yeah, that's happening), and start investing in ideas that will save this planet. Here's an idea: cut the military budget, and give money to schools to give us our next great thinkers and problem-solvers. Curtail the production of SUV's and Hummers, in place of smaller, more fuel efficient--and eventually, fuel-free--vehicles. Put windmills everywhere, work on creating more efficient solar panels. Any action that drastically reduces our dependency on oil will, in effect, benefit the entire globe. Oil's price will go down, and as Friedman brilliantly explains in his book, lower oil prices (between $15 -$30 a barrel) mean the collapse of the petrodictatorships of the middle east, replaced by a much-needed economic freedom and the return of womens' rights in the area, as the area will need to depend upon the creativity and economic know-how of its people to survive.
I'm going to continue reading, and when I finish I'll post my thoughts on the second half. But for now, whoever is reading this, I highly recommend you go out and get Friedman's Hot, Flat and Crowded. It's probably one of the most important books you'll ever read.
Thursday, May 26, 2011
What struck me as so amazing about LOST was that it was so, so many things at once. It was science fiction, with a giant unseen monster, polar bears living in tropical forests, electromagnetic time-travel-inducing frozen donkey wheels; it was a comedy, supported by hilarious dialogue and a top-notch cast; but more than anything, LOST was a drama--a character study of individuals who were, both figuratively and literally "lost." They were flawed and broken, going at it alone. In a sense, before their time on the island, it was themselves vs. the world. It was their being on the island that changed them. They could start over, and fulfill their destinies. Before I delve deeper into the meaning of the show, I want to express my disappointment in the "fans" who hated the finale for its lack of "answers." All I will say is that from the very beginning, LOST has been a character-driven show with cool mysteries, not the other way around. It ending the only way it could have possibly ended, and if your main concern, spanning the entire six seasons was "What the hell was up with Walt?" then you are no true fan of LOST.
But enough ranting. The finale was, in my opinion, the perfect send-off. It encapsulated everything the show was about, everything it stood for, in 2 and a half glorious hours. In fact, I believe that a major message that LOST communicated to its audience is pretty well-stated in the title of this post. By this, I mean that LOST wasn't just a show about people, it was a show about how broken people fix one another. In the pivotal church scene near the end of the finale, when Jack speaks with his father, Christian tells him that the most important part of his life was the time he spent with the other survivors on the island. Without them, he couldn't do what he was chosen to do. They needed him, and he needed them.
I was reading an in-depth analysis of the finale over at Entertainment Weekly recently, and I realized that, along with being about people, LOST was about death, and the undeniable notion that we all one day will die---that death is absolute. The flash-sideways/purgatory/in-between world was not a segue into eternal happiness and bliss, as many would assume after the crowd in the church was washed in a bright white light, but rather the last step before The End. The Sideways world was a chance for the survivors to come to terms with their mortality. Borne of this acceptance is the letting go of hatred and selfishness, and the understanding of love.
If that did not make any sense, I apologize for I don't know how else to explain it; Doc Jenson is better at it here. But that's what I pulled from LOST, and I know that not all will agree with me.....which is where the true beauty of LOST lies. It is a show that will be talked about for years to come, with countless theories created and thrown out the window. It amazes me that I am even talking about a television show in this way. LOST truly was a miracle of modern entertainment, and it will not be forgotten.
Before I end this post, I cannot go without mentioning the magnificent score of Michael Giacchino. The most poignant moments of the finale (and the show in general, for that matter) are bolstered by his music. It's a shame that Giacchino lost the Creative Arts Emmy of Best Original Score to 24---he really deserved it here, particularly for the tracks "Moving On," "Closure," and "Locke vs. Jack"
Saturday, April 30, 2011
Friday, April 15, 2011
I can't imagine what it must be like to be J.K. Rowling. Has no greater writer come from such humble beginnings? She stated in an interview that the idea for Harry Potter simply "dropped into her head" one day while on the train, and it quickly snowballed into something pretty big. But I don't expect she believed it would ever get THIS big:
The above picture is a snapshot of Hogsmeade, the fictional wizarding village from the Harry Potter universe. It serves as the hub of the pretty much brand-new Wizarding World of Harry Potter in Universal Orlando's Islands of Adventure theme park(s). Talk about extravagant. I can write about this place all day, but nothing compares to the experience of strolling down the brimstone walkway, gazing up at the wonderfully lopsided architecture, smelling Butterbeer in the air, and immersing yourself in Harry's world. It's truly entrancing.
The park sits in the back corner of The Islands of Adventure, sandwiched between Jurassic Park and The Lost Continent, and it is easily the most popular attraction at Universal. The words to describe it escape me. The attention to detail, as seen above, is astounding. When you enter the village, it's like walking directly into Rowling's imagination. To the immediate right
is the magnificent Hogwarts Express, presented by a "conductor" who interacts with the crowd at certain times of the day. Continuing in, the Three Broomsticks
stands lopsided and weathered on the left, and next door, Honeydukes sweets shop sells Bertie Bot's Every-Flavor Beans and Chocolate Frogs to hordes of young Potter fans. Zonko's joke shop is filled to the brim with goofy artifacts and knick-knacks. Dervish and Banges, basical
ly a glorified souvenir shop, contains an assortment of artifacts from the series, like brooms, time-turners, pens, parchment, cloaks, robes, and wands.
The absolute most entertaining and enthralling division of the village BY FAR, is Ollivander's Wand Shop. Much unlike the other shops available for guests to enter, Ollivander's is a show. Wrapped around one side of the building are line ropes which, on the days I visited, were always completely filled with excited Muggles. The times I had waited to get inside, the line had thinned out a little. Our 20 minute wait was worth every second.
When you enter Ollivander's, it suddenly becomes very quiet. A desolate, somewhat eerie sound resonates through out the room. Everything looks EXACTLY like the Ollivander's from the movie. The walls are massive shelves, stacked to the ceiling with wands; thousands of them, all made up to look very dusty and old. Then, "Ollivander" descends from a dimly lit staircase. He introduces himself to the large congregation of Muggles before him, and carefully selects one person from the audience to receive their special wand.
I, admittedly, had hoped I would be picked; but alas, no such luck. My first visit, he chose an older woman, and the second he picked a young girl. Both are extremely, extremely lucky. "Ollivander" offers his chosen person 3 wands, in the same fashion as in the movie. The first two, at his command of pointing and reciting a certain incantation, make flowers "wilt" in the corner,and cause wands to shuffle on the shelves (with the addition of lights and sound effects that enhance the experience). These wands are not meant for the chosen Muggle. The third wand, however, is the one. Music begins as "Ollivander," says to himself, "Curious, very curious," and he hands the wand over. At their touch, a wind whips up inside the room, the music swells, and a soft, glowing light engulfs the wildly grinning participant. Then, with some closing remarks and "tips" on how to properly operate a wand, "Ollivander" leads the group into a section of Dervish and Banges where a large selection of both character AND original wands await to be purchased. I purchased an original, although I came quite close to buying the Elder Wand, but I wanted one completely original to the Park. I chose a handsome looking wand with a phoenix feather core. Easily the coolest $30 I ever spent. (I unfortunately did not get any pictures of the inside of Ollivander's for fear of disrupting the show with my flash. It was pretty dark, and my videos came out poorly, also.)
Now, the castle. Gaze upon it's glory. GAZE UPON IT!